The pedal was heavily featured on the each album and tour between 19. I have played and tested each pedal in this guide, with guitars and amps that are typically associated with David Gilmour.ĭavid Gilmour first started to use the Colorsound Power Boost in early 1972. Having the booster in front of a Big Muff or other higher gain pedals, will add more gain, much like driving the front end of a tube amp. This is similar to using an EQ and the booster will add compression and character to the tone. Having several overdrives set differently, like David Gilmour’s three Tube Drivers, will allow multiple combinations, with different amounts of gain.ĭavid often adds a booster after the high gain overdrive or Big Muff. I often have one fairly clean set overdrive as a foundation for most of my tones and I add a second overdrive, with more gain, for riffs and solos. There are lots of different ways you can stack pedals depending on what you want. David Gilmour often pair two overdrives or a Big Muff with an overdrive for certain tones but also for adding character. Stacking or combining gain pedals is a great way of expanding your tone palette. Read more about how to choose the right pedals for your amp. These amps often pair better with pedals that has a bit of mid range, like a Tube Screamer or Rat or something similar. Tube Screamers and Rats will often sound dark and muddy as these have a lot of mid range and compression, which your amp already has.Īmerican voiced amps, like Fender, typically has less mid range or a scooped mid range compared to the British. These amps often pair better with pedals that has a flat frequency or a scooped mid range, like a fuzz, Big Muff or a classic booster/overdrive. Your dream pedal can sound horrible on the wrong amp.īritish voiced amps, like Hiwatt, Vox and Marshall typically has a bit of mid range hump. What sort of tones do you want and what will fit your amp. My very best tip when it comes to choosing the right overdrive and distortion is to know your gear. There’s so much to choose from and every unit seem to offer something slightly different. I have a few go-to pedals but very few seem to fit my pickups, amp and not least taste. In this guide we’ll look at a handful of overdrive and distortion pedals and how to incorporate these in your rig, with David Gilmour’s tones in mind. Choosing the right overdrive pedal can be a real challenge and if you’re like me, you probably have a few laying around that didn’t live up to your expectations.
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